How To Create A 2d Animation Portfolio

What'due south in a Portfolio?

If your dream is to get into animation school and work in animation, you need to know how to draw.  No "short cuts" or "tips on portfolio-making" can ever substitute for doing the work. Nosotros know because drawing is all we do. xx years of excellence in animation portfolio preparation has shown us that learning how to draw takes time AND it's worth it. Learning how to draw will set up you to accept on the challenges of animation school and beyond.

Every summit animation school requires you to submit a portfolio of drawings.  How your animation portfolio is judged volition make up one's mind whether or not you receive an offer of access.  Competition for spots in the top animation schools is fierce.  Information technology'southward not enough to simply meet the requirements.  To get into an animation program you lot need to aim high and distinguish yourself with outstanding drawings.

Animator, character designer, storyboard artist, visual evolution creative person, layout artist, effects animator - all of these animation career paths have one thing in common: training.

APW Grad Christine Fitzgerald does an in-depth walkthrough of her 2020 accustomed Sheridan Animation portfolio.

A typical animation archway portfolio will incorporate a mixture of these things:

Life Drawing

Several drawings of the human figure in various poses. These conte, charcoal or graphite drawings must be drawn "from life" and non from a photo. A Life Drawing grade with animation-related instruction is your best bet merely the adjacent best thing is a general life drawing class and/or an open Life Drawing session (iii hr session, each person pays per course, poses ranging from thirty seconds to 15 minutes in duration)

Object Drawing

Drawings of individual common household objects. Often these objects are based on basic geometric forms such as a sphere (an orange?), a box (juice carton?), a cylinder (water bottle?), a cone etc.  An awareness of the structure that lies beneath the surface of the objects you draw volition enable you to draw any given object from unlike angles

Layouts I

Drawings of an interior space combine a working noesis of linear perspective and an understanding of composition with a feeling for a story to build a convincing and interesting layout.  Use 2 point perspective to draw a room in your house (kitchen, bedchamber?).  When choosing a view of a room, avert facing a wall directly.  Look toward a corner instead.  12 to xv feet away from a corner of the room volition allow you lot to come across and draw a satisfying wide-angle view of the room.

Layouts 2

Drawings of an outdoor infinite that testify your ability to bring together imagination, arial perspective, solid convincing forms, composition and a sense of story to build an interesting layout. It's your hazard to create a world from imagination. Like the room layouts, limerick, visual involvement and creativity are of import, however, these drawings rely less on linear perspective to show depth.

Graphic symbol Drawings

Your graphic symbol design will bear witness your power to accept something right out of your imagination and interpret it into solid conceivable drawings that show creativity and personality.  Other portfolio drawings are based more on observation and this ane is all most visualization and imagination.  Design an animation character and draw a turn-around of the character (front view, ¾ view, side view etc.) along with diverse action poses and facial expressions.

Hand Drawings

A number of drawings of your hand (sometimes in a earlier/after sequence) should evidence familiarity with gesture and structure.  Drawn not from photographs just from ascertainment.

Brute Drawings

Grab a sketchbook and head to a zoo or a farm, become your pet to sit and sleep while y'all draw, draw, draw.  The goal here is gesture and structure.

Storyboards

Storyboards are a comic-book-like series of drawings of shots as in a film sequence.  Y'all may be given an open-ended outline of a simple story, a graphic symbol design to work from and asked to draw a number of storyboard panels or you may be asked to come up up with your own story and characters.  Basic story-telling skills, character drawing skills, shot composition and inventiveness are evaluated.

Blitheness

Some schools (Sheridan for case) require a brief sequence of hand-drawn animation – a number of sequential drawings that brand upwards a brief flick sequence.  Yous may be given a time limit or a maximum number of frames. This is a chance to show your inventiveness and demonstrate some noesis of animation basics and character cartoon skills.

Personal Artwork

In improver to the required drawings, you may be asked to include artwork of your own choosing.  Some schools may offer parameters for this portfolio piece (paintings, illustrations etc.).  This is an opportunity to show a wider involvement in other kinds of art that you lot create on your own.

Your portfolio matters.

Learn from the best.

APW has been like a second home to me throughout my high schoolhouse, college and finally my professional years. It'southward a place where I gained a strong drawing foundation, which serves me professionally everyday. I am so grateful and proud to be a part of APW'southward customs.

Sonia Furier STORY ARTIST, JAM FILLED ENTERTAINMENT

Working with Gerard and Vince and having them focus my energy and enthusiasm for cartoon gave me the start I needed. They knew when to answer questions I had and when I needed the encouragement to go along searching for myself.

Graham Finley ANIMATOR, PIXAR Blitheness

APW's program is a rigorous, challenging and incredibly rewarding experience. The instructors are exceptional in the sense that they suit to each educatee's learning style, are encouraging, and make each class fun and engaging. I credit a big part of me getting into animation school to this program and its instructors/TAs

Tamara Luchtman APW GRAD

Blitheness Portfolio Workshop has raised the bar when it comes to nurturing the next generation of artists and consistently getting the right tools into their heads, hands and hearts.

Lynn Dana Wilton ANIMATOR, Stop Motility​

APW was a major catalyst in forming my passion and skills equally a young creative person. It helped me to build a stiff foundation that went far beyond getting into the college of my choosing and sustains my work ethic today as a professional concept creative person in the entertainment industry.

Patrick O'Keefe ART DIRECTOR, SONY PICTURES

APW educatee portfolios showcase skills that are crucial to succeeding in the industry – high quality figure cartoon and a clear understanding of proportion, volume, and gesture. They give their students a solid drawing foundation perfect for edifice a successful creative career.

Jim Zubkavich Instructor, SENECA SCHOOL OF CREATIVE ARTS & Animation

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Source: https://www.animationportfolioworkshop.com/what-is-an-animation-portfolio/

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